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The Orlesian Empire, or simply Orlais, is currently the largest and the most powerful nation in Thedas. It was founded by Kordillus Drakon I and its capital, Val Royeaux, serves as the Orlesian Chantry's seat of power and home of the Divine. Orlais is ruled by an Emperor or Empress.


Ancient history[]

Two of the human tribes that arrived in Thedas, the Ciriane and Inghirsh, settled in the region that became known as Orlais and were the ancestors of modern Orlesians. The Ciriane settled in central Orlais and were loosely defined and culturally rich. The Inghirsh, who settled in northern Orlais[1] and southern Tevinter[2], were easily defeated in their conflict against the Neromenians, as they were a decentralized and nomadic people. Survivors of the conflict were absorbed into the Ciriane or Planasene, a tribe settled in present-day Nevarra. The Ciriane people, who were largely isolated, remained a strong and distinct group until the founding of Orlais. In modern times, Ciriane culture has all but disappeared.[1]

At the outbreak of the First Blight, the Ciriane fought besides the Tevinters and the Grey Wardens in order to defeat the Archdemon Dumat. Later on, during the Exalted March against the Tevinter Imperium, Andraste expelled the Tevinters from a large portion of Orlais.[3] In -165 Ancient, after the end of the war, Maferath divided the lands of southern Thedas between himself and his sons. His eldest, Isorath, was put in charge of the lands west of the Fereldan Valley and tasked with unifying the disparate Ciriane tribes.[4] He married a local Ciriane woman, Jeshavis.

When Archon Hessarian revealed Maferath's betrayal of Andraste in -160 Ancient,[5][6] Isorath initially managed to retain control of Orlais. However, his brother Verald lost control of Nevarra City and fled to Orlais, engaging in a lengthy power struggle to take it from his older brother.[7] In -155 Ancient, the Ciriane united into a kingdom in a moment known as the Grand Unification[8], a forced campaign of sweeping changes meant to favor centralized trade and power in an attempt to create more efficient barriers against the likelihood of a Tevinter return to conquest. He leveled several existing cities to create Val Royeaux, the capital of his new nation,[9][10] which he named Orlais.[11] Jeshavis, angered by the forced unification of her people and unwilling to be ruled by the Alamarri, manipulated Verald into murdering his brother and all his direct children. After he married her to bring legitimacy to his claim, Jeshavis had him killed as well and became the first female chieftain of the Ciriane, or gyðja. She went on to rule for forty-two years.[7] She is known as the "Mother of Orlais" and sometimes credited for creating the Game.[11][12]

Emperor Kordillus Drakon[]

For almost two ages after Jeshavis, a gothi, or queen, chosen by the tribes of the Ciriana and Alamarri would rule the nation of Orlais. The process of choosing a new queen became deadlier each time, as old hatreds between clans grew stronger. In -36 Ancient, Castana, the daughter of a prominent chieftain and wife of Lord Septimus Drakon of Tevinter, was named queen. At the time, the nation she ruled over was not even half the size of modern-day Orlais. Their son, Kordillus Drakon, was born soon after.[13]

Kordillus Drakon, first emperor of the Orlesian Empire

Prince Kordillus, who believed Andraste had appeared to him in a dream and charged him with redeeming the world in the eyes of the Maker, took to the battlefield to unite the disparate cults of the Maker at the age of sixteen. Thanks to his marriage to Area Montlaures, an unequaled archer, shrewd tactician, and the daughter of a lord of Val Chevin, Drakon conquered well into modern-day Ferelden and Nevarra, stamping out lingering worship of the Old Gods and of local deities. When their campaign of expansion stalled in the north, Drakon decided to refocus his efforts on glorifying the Maker. In -15 Ancient, he destroyed the ancient Ciriane fortress once inhabited by Jeshavis and used its foundation to begin construction of a great temple dedicated to the Maker. When construction was completed in -3 Ancient, Kordillus Drakon was crowned ruler of the Empire of Orlais. His first act was to declare the Chantry as the official religion of the empire.[13][14][15] After four years, Olessa of Montsimmard, the only female general in Drakon's armies, was chosen as the first Divine. She was crowned Divine Justinia I in 1:1 Divine.[16] The free use of magic was declared illegal in Orlais except by those mages operating under the direct auspices of the Chantry.

In 1:5 Divine, the Second Blight broke out in the Anderfels. Emperor Drakon led the fight against the darkspawn, in part by recruiting mages to his cause and letting them unleash their full power. Under his command, humanity achieved several victories, which served to spread the influence of the Chantry even further. At the time of his death in 1:45 Divine, the Orlesian empire had expanded into the Anderfels and most of the western Free Marches.[17] However, his son, Kordillus II, did not possess the same political savvy, and the Anderfels declared their independence in 1:65 Divine.[18]

Exalted Marches and Blights[]

In 2:5 Glory, the border skirmishes between the Dales and Orlais increased in number.[19] When the elves attacked the Orlesian town of Red Crossing and quickly took it over in 2:9 Glory,[20] Orlais and the Dales went to open war. By 2:10 Glory, the elves had captured Montsimmard and marched on Val Royeaux. At this point, Divine Renata I called for an Exalted March against the elves. Although the elves eventually sacked Val Royeaux and pushed well into human lands, Halamshiral was conquered and the elves were completely crushed by 2:20 Glory. The Dales were annexed as part of the Orlesian Empire. Divine Renata I decreed that elves who converted to the worship of the Maker should be welcomed into human cities, leading to the creation of alienages.[21]

In the last years of the Glory Age, another Exalted March was called, this time to oust Tevinter from Starkhaven.[22] In 2:99 Glory the Grand Cathedral in Val Royeaux was finally completed. Its twin towers gave the Towers Age its name.[23]

Orlesian war weapons

In 3:10 Towers, the Third Blight began; the darkspawn attacked the Orlesian cities of Arlesans and Montsimmard. The Orlesians were able to push them out of their borders.[24] By 3:18 Towers, due to constant pressure from the Grey Wardens, they sent aid to the beleaguered city-states of the Free Marches.[25] In 3:25 Towers, the Orlesian armies participated in the final battle of the Third Blight in Starkhaven.[26] However, they then took advantage of the weakened state of the Free Marches and occupied the city-state of Nevarra until their ousting in 3:65 Towers.[27]

Between 4:40 Black and 5:10 Exalted, Orlais took part in four Exalted Marches against Tevinter's newly appointed Black Divine, none of which succeeded. In 4:80 Black, the Orlesian Empire took advantage of the Alamarri's fractured state and crossed the Frostback Mountains to invade the land for the first time.[28] The campaign lasted for three years until the Fereldan teyrns once again united to push the Orlesians back. The Empire had hoped to take the port of Highever and therefore switch to supplying their forces by sea rather than by Gherlen's Pass, but the fortress of Redcliffe held out for longer than expected, and winter in the Frostbacks left many Orlesian forces unsupplied. By the spring of 4:84 Black, most Orlesian troops had pulled out or been captured.[29][30]

In 5:12 Exalted, the Fourth Blight began and Orlais sent only a token force to help its neighbors.[31] The first king of the Nevarran Van Markham family, Tylus Van Markham, was crowned after having claimed to be a descendant of Drakon's. He proved his military might by winning several major battles against the Orlesians, establishing Nevarra as a new, growing power.[32]

In the Storm Age, during the Qunari Wars, three Exalted Marches were called against the Qunari in 7:25, 7:52,[33] and 7:84.[34] During the wars, Orlais managed to steal the Tome of Koslun. In 7:44 Storm, the newly crowned emperor of the Orlesian Empire, Freyan, allowed women to become knights, after witnessing of the death of Ser Aveline, the Knight of Orlais.[35] In 7:60 Storm, the Qunari occupation of Kirkwall was lifted by an Orlesian chevalier named Ser Michel Lafaille, who became its first Viscount on behalf of the Emperor of Orlais.[36] In 7:99 Storm, the end of war with the Qunari and the birth of twin boys to Emperor Etienne I ushered in the Blessed Age.[37]

Conflicts with Ferelden[]

Civilian casualties of the War of the Lions

Main article: Second Orlesian Invasion of Ferelden
Main article: Fereldan Rebellion

In 8:5 Blessed, Kirkwall rebelled against Orlais and re-gained the status of a free city.[37] In 8:24 Blessed, "Mad Emperor" Reville ordered the invasion of the kingdom of Ferelden. Due to the clandestine support of a number of powerful banns undermining the kingdom's defence, the Orlesian military quickly established a strong foothold[38] and fully occupied the country by 8:44 Blessed.[39]

However, the war with Ferelden gave the Pentaghasts the perfect opportunity to take their revenge on Orlais. They had been biding their time since 7:97 Storm, when Emperor Etienne set aside his wife of fifteen years, Princess Sotiria Pentaghast, to marry his mistress. While most of the Orlesian army was still committed to the war in Ferelden, Nevarra declared war, promptly taking a number of cities. Though the Orlesians eventually rallied a defense, the city of Perendale was lost to the Nevarrans and never recovered.[40] This defeat lost Emperor Reville the favor of the court, who turned to his twin brother Grand Duke Gratien, who had no desire to take the throne, instead. In 8:47 Blessed, Emperor Reville had Gratien, his wife, three grown children, and all eight grandchildren murdered. The youngest, Camille, was only eight months old. Reville died after spending more than a year locked in his room, fearing retribution for his assassination of Gratien's family.[41] In 8:96 Blessed, the young Fereldan prince Maric Theirin took over the leadership of the Fereldan Rebellion after his mother's assassination, and Emperor Florian was forced to send more chevalier legions to support the rule of his first cousin and king of Ferelden, Meghren.

In 9:2 Dragon, Ferelden was freed from Orlesian occupation.[42] The relations between the two countries remained tense until Florian's death, after which Ferelden and Orlais officially made peace.[43] After 9:14 Dragon, the new viscount of Kirkwall, Perrin Threnhold, enforced exorbitant fees on Orlesian ships docking in his city, prompting Emperor Florian, through Divine Beatrix III, to pressure the Templar Order stationed in Kirkwall to overthrow him.

In 9:20 Dragon, Celene Valmont, Florian's niece, rumored to have played a part in his death, outmanoeuvred her cousin Grand Duke Gaspard de Chalons to become Empress of Orlais.


Dragon Age: The Masked Empire[]

This section contains spoilers for:
Dragon Age: The Masked Empire.

In the years leading up to the Mage-Templar War, many Orlesian nobles begin to plot to re-conquer Ferelden after the Fifth Blight left the kingdom in a weakened state. This goes against Empress Celene's wishes, who does her best to keep the peace and bring her nobles under control.[44] In 9:38 Dragon, unrest brews in Orlais as Grand Duke Gaspard de Chalons stirs dissent against reigning Empress Celene.[45] Two years later, amid rumors of her illicit relationship with her elven handmaiden, Briala, Celene leads a purge of the elves of Halamshiral to dispel talk of her leniency towards elves. Gaspard, who has been instrumental in spreading these rumors, takes advantage of the situation to ambush her in the city, but Celene manages to evade his trap. This marks the beginning of the War of the Lions.

Dragon Age: Inquisition[]

This section contains spoilers for:
Dragon Age: Inquisition.

The War of the Lions ends in 9:41 at the peace talks held in Halamshiral by Grand Duchess Florianne de Chalons. The Inquisition's presence is instrumental in determining whether Empress Celene remains on the throne or is killed and succeeded by Emperor Gaspard.



The streets of Val Royeaux[16]


Map of the Orlesian Empire


  • Alyons – a region which neighbors Serault[69]
  • The Arbor Wilds – a large and untouched forest in the south of Orlais, where ancient elven ruins still remain undisturbed[70]
  • Arl Dumat
  • The Blasted Hills – on the border of the Anderfels
  • Lake Celestine – a lake located in the Heartlands of central Orlais
  • Claose – a land of fertile valleys near Serault[71]
  • The Dales
  • Deauvin Flats – a region with good hunting grounds[72]
  • Ezoire – described as a lofty mountain domain[73]
  • Forbidden Oasis
  • Fields of Ghislain – on the border of Nevarra
  • Frostback Mountains
  • The Heartlands – the region between Lake Celestine and the shores of the Waking Sea, well known for its excellent wine and marvelous estates; it is perhaps the richest place outside Val Royeaux[74]
  • The Hissing Wastes
  • Hunterhorn Mountains – with the Gamordan Peaks in the south
  • Nahashin Marshes
  • Serault – a struggling Marquisate on the edge of Orlais
  • The Western Approach – with the Abyssal Rift
  • Ylenn Basin – a region south of the Imperial Highway between Montsimmard and Verchiel, a beautiful place of walnut groves, hollyhocks and fifth rate meaderies[75]

Culture and society[]

Orlesian mask and fashion

Orlais is famed for its culture and extravagance. Drakon's legacy continues to heavily influence Orlesian laws and social customs.[76]

The capital city is Val Royeaux, which boasts the University of Orlais: a major center of learning that attracts young nobles from all over Thedas with the best education one can buy. The University is a relatively modern institution, whose liberal-minded professors have already clashed with religious conservatives over the content of their classes. This is likely to become a much larger issue in the future.

The Summerday holiday is particularly holy in Orlais. This holiday celebrates the beginning of summer and on this day children who come of age wear white tunics and gowns and join a procession to the local Chantry. When they reach it, they are taught the responsibilities of being an adult. It is celebrated at the beginning of Molioris.

In their personal lives, many Orlesians favor habits such as indulging in alcohol or smoking kohl pipes (kohl is considered particularly illicit within the Circle of Magi).[77] They also tend to prefer small "toy dogs" as companions, as opposed to the hearty Mabari wardogs favored in Ferelden.[78]


Art is particularly prized in Orlais, and has been a focus of Celene's reign, who has inspired something of a cultural renaissance.[76]

Famous artists include the legendary Henri de Lydes, whose mural of Andraste and her Disciples was the only piece of Chantry art not destroyed for featuring elves following the Exalted March of the Dales (Shartan is depicted in the mural, though his ears were cropped), and the painter Caliastri.[79] Nobleman and sculptor Arwand de Glace also created a controversial nude sculpture of Andraste that was censored in an unusual manner.[80] In more recent times, Ambrose Dumont, who mainly works with woodcuts, and Reynerius d'Auberive, a cosmetician and painter, have proven very popular at the Orlesian court.[81]

Under Celene's rule, the restrictions on artistic expression imposed by the Chantry or the current ruler on theater were lifted, leading to a resurgence in popularity.[82] The sphere of theater is a close reflection of the political climate of the country. Many a social scandal will even find itself immortalized as a play.[83] Though theatrical works reflect central themes of Orlesian culture, such as disdain towards Fereldens and reverence for Kordilius Drakon, a few striking contrasts can also be found. In a country where The Grand Game can be a matter of life and death, a character's importance to the play and their gender is clearly defined by the appearance of their mask, an article which once donned, is understood to be absolutely them.[84] Elves have also done well in the theaters of Orlais, and are not only allowed to hold main parts and play humans but can also socially progress upon becoming famous.

Orlais also has traditions of puppetry, many of which were taken from Antiva. The most famous puppet shows are baroquely ornate creations created for high opera or religious festivals. In the Dragon Age, shadow puppetry has risen in popularity.[85]

The Grande Royeaux Theater in Val Royeaux is an important representation of Orlesian cultural heritage.[86]

Notable plays include[87]:

  • The Sword of Drakon: an Examination of the Life and History of the Father of Orlais, by Marquise Freyette – the first play to portray Drakon as a man beset by doubts, now a staple of Orlesian theater
  • The Heir of Verchiel, by Paul Legrand – its first performance featured city elf Victor Boyet in the lead role, who was so well received the emperor rose from his seat when Boyet took the stage
  • Wilkshire Downs, by A. Pourri – an enduringly popular play in which flatulence plays a major role
  • The Setting of the Light, by Lumiere Bartlet – historians claim that the play's conclusion was at once so hauntingly beautiful and shockingly vile it sparked the Great Riot of Val Royeaux in 4:52 Black. Only 14 pages remain today.
  • Death in the Mansion, by Violette Armand – first play to use "False Face" (characters changing masks during the story), which was highly controversial at the time but has become unremarkable in recent times.
  • The Fall of Elderath, a puppet play about Andraste's father.[85]


Orlesian architecture is heavily influenced by secular Gothic style. Just the same for clothing, no expense is spared for rich materials for prominent buildings, and architects do not shy away from colour. Blue, gold and white in particular are distinct colours for nobility. White marble with gold detail is a signature style for interiors. Impression is the biggest goal; it does not matter if a building is weak, so long as it does not look weak. Even the smallest objects are built with flair. Aesthetics trump practicality every time.

It is not uncommon to see religious iconography in secular buildings. Andraste and other Chantry figures are frequently incorporated into ornamentation.

Expensive renovations to keep up with trends occur as ages pass, but under it all is the same, rotting wood. The further away from the heart of the rich you go, the less extravagant things get, and the more flaws become visible.[88]

The class divide[]

Orlais is a nation where class and social politics frequently rule the day. As such, the concerns and lives of the various classes can differ greatly. Among the nobility a penchant for high fashion is common, often copied in other lands such as Nevarra and the Free Marches but always at its most extreme within Orlais. Both men and women wear cosmetics of various kinds, with subtle differences that indicate social standing. In public, they are also prone to wearing very elaborate masks. These are hereditary and identify one's family almost as uniquely as the heraldry on a crest. Servants also wear masks in public that are simpler and not so elaborate as their masters' which indicate the noble household they serve.[89]

Throwing lavish parties is part of The Grand Game

Aristocratic society is vicious and marked by fawning envy to the powerful. Bards often entertain nobles in their courts despite their roles as spies, assassins and saboteurs for their employers who are usually other nobles. Nobles welcome such entertainers with full knowledge that any could be a bard; the thrill of outwitting a spy is a notion the Orlesian aristocracy can hardly resist.

The lives of Orlesian nobility may give the impression that life is easy and prosperous for all. However, the lives of commoners are often much more difficult, while all aspire to the lives of the noble class.[90] Many Orlesians are hardly well-to-do and work as freeholders, or else laborers on another's property, often leading to general discontent and simmering resentment. For a class of people with little besides belief in the Chant of Light to uplift their lives, this discontent may cause friction with those seen as having unfair privileges or else upsetting their routine or religious beliefs, such as mages.[91]

Furthermore, Orlesian commoners are at the mercy of the nation's needs in a way that the nobility, and even the Chantry (including the Circle of Magi and Templar Order), are not. During war times, press gangs led by the nobility commonly force Orlesian peasants into military service willingly or no.[92] Those who are not conscripted may be left starving by the demands of the army or else taken as slaves by opportunistic bandits.[93]

Additionally, the chevaliers are allowed great liberties with commoners, up to and including murder and sexual assault.[94]

The lot of elves in Orlais is unique as well, even from the common classes. Servitude, (often bearing little difference from outlawed slavery[95]), is the existence of many. However, despite the aesthetic appreciation Orlesians have for elves, and the fact that some can potentially live more richly than most commoners, there does not seem to be the hope of social ascendance for them that is a possibility, however small, for humans.[96]

An Orlesian alley


Examples of Orlesian masks[97]

A bare face in Orlais is considered gauche, especially in the presence of a foreigner or a commoner.

The Orlesian nobility, and those who serve publicly, are prone to wearing very intricate—as opposed to simply gaudy—masks in public. These masks, often half-masks specifically, are hereditary and identify one's family and social class almost as uniquely as the heraldry on a crest: a family might be associated with a lion crest, and matching lion masks will identify them in public. Retainers and servants wear a simpler form of a family's mask. Family symbols are well known among the Orlesian public, and anyone attempting to wear a mask that doesn't belong to their house runs the risk of a quick death if discovered.

Wearing makeup is another popular tradition for both men and women in Orlais. Even chevaliers may wear cosmetics. There is both masculine and feminine makeup, although outsiders may have trouble telling the difference. Makeup can be a strong indicator of social standing. The quality and rarity of one's makeup—uncommon hues and consistencies are prized—speak volumes of one's status.

Orlesian nobility has clothing which is made of rich dyes, complex patterns and fine fabrics. Rare colours and materials are used to imply wealth and status. They often lean towards flowing, layered garb.[98]


Orlesian food is famous for being elaborate and extravagant. It has also been described as frilly and pretentious. Specialty dishes include the Nug-Nug, a dish made to look like a nug peeking out of a burrow and favored by Orlesian children; butter soup, a nourishing soup for convalescents, children, and field workers; the nesting roast, a delicacy first conceived by chef Bernard Huileux that consists in stuffing a quail in a pheasant stuffed in a swan. Many different kinds of desserts exist as well: the Blessed Apple, a pie made with apples from the orchards of Ghislain, supposedly blessed by the Maker at Andraste's request; Marie du Lac Erre's Sweet Ruin, tea biscuits sandwiched with cream and jam (there are also variations including chocolate); various confections of cake, wafers, cream, and fruit.[99]

As for drinks, Orlais is the first importer of Antivan wine in Thedas,[100] and possesses its own vineyards as well. Spiced wine has been a popular drink in the Winter Palace since the Glory Age. The elves of Orlais usually drink dandelion wine instead, as they cannot afford vineyards or even grapes of their own.[101]


Orlesian heraldry[97]

Under the rule of the legendary Kordillus Drakon, the fledgling nation of Orlais rose to prominence. He used the Second Blight to expand its borders and the influence of the Chantry. While Orlais in the Dragon Age is nowhere near as large as it was under Drakon, it remains the most powerful nation in Thedas, and Drakon's legacy continues to heavily influence Orlesian laws and social customs.

In Orlais, land is owned exclusively by the aristocracy and titles are granted by the Council of Heralds.[97] Power rests solely in the Emperor or Empress as in many monarchies in Thedas where power descends from the throne, unlike Ferelden whose power derives from the support of freeholders. The Orlesian aristocracy's right to rule stems directly from the Maker. There exists neither the concept of rule by merit nor the slightest notion of rebellion. If one is not noble, one aspires to be—or at the least aspires to be in the good graces of a noble, and is ever watching for a way to enter the patronage of those better placed in the Grand Game.[102]

Many Orlesian nobles belong to its renowned knightly order, the chevaliers. The martial training of the chevaliers is legendarily harsh, instilling in the knights a fierce discipline and code of honor that takes precedence over the value of their own lives. The penalty for dishonor is death, something that a chevalier would welcome if he or she has failed their lord. They are honored by many and are considered amongst the best of all soldiers but they also have unlimited rights when it comes to handling the peasantry; a cause of many conflicts.

The Grand Game[]

Main article: The Grand Game

Orlesian heraldry[103]

"The game" refers to the perpetual competition for influence and esteem between the Orlesian nobles. Every Orlesian of noble birth is subject to their peers' manipulation, if not as a player, then as a pawn. While the Chantry and its affiliate organizations of the Templar Order or Circle of Magi may seemingly be a way 'out' of the game, they too are still susceptible to manipulation.

The goals of the game are personal prestige, reputation, and patronage, and its "rules" are as simple as "anything goes". Nobles often employ assassins or, more often, bards to accomplish these goals. Social engineering is also important in this aspect of Orlesian culture, and masks, elaborate dress and social engagements are important tools to further the Game.

The lower classes of Orlesian society also attempt to participate in the Game, even though it would be assumed they would view it with contempt. However, despite the Game offering a veneer of genuine social mobility through accumulated wealth and patronage, with the ultimate aim of a title, the chances of this happening are in reality very slim. Though it appears meritocratic, the Grand Game offers most commoners only a faint hope that "is enough to keep the poor preoccupied and the rich in power."[90]

Royalty and nobility[]

Main article: Orlesian royalty and nobility

There is an established list of aristocratic titles along with appropriate forms of address.[76] Titles are granted by the Orlesian Council of Heralds.[97]

Foreign relations[]

Centuries of expansionist behavior has contributed to Orlais having sour relations with its neighbours. The empire has invaded Ferelden twice, battled with Nevarra, organized four Exalted Marches against Tevinter, squandered favor with the Free Marches and crushed the Dales. The Ferelden people they especially look down upon, thinking them brutish and uncivilized. They are sneered down upon as 'Ferelden turnips'.[104]

However, they maintain a good relationship with the dwarves of Orzammar with which they share borders in the western side of the Frostback Mountains. The dwarves provide the empire with lyrium and minerals, as well as smithing. Lyrium is especially important as it is consumed by the Chantry's templars.[16]

Notable Orlesians[]

Empress Celene


Michel de Chevin

For a complete list, see Category:Orlesians.
Note: The list below can include people of either Orlesian ancestry or Orlesian nationality.

Codex entries[]

Codex entry: The Orlesian Empire Codex entry: The Orlesian Empire
Codex entry: The Orlesian Game of Intrigue Codex entry: The Orlesian Game of Intrigue
Codex entry: Shadow of the Empire Codex entry: Shadow of the Empire
Codex entry: The Chevaliers Codex entry: The Chevaliers
Codex entry: Council of Heralds Codex entry: Council of Heralds
Codex entry: Jeshavis, Mother of Orlais Codex entry: Jeshavis, Mother of Orlais
Codex entry: A Compendium of Orlesian Theater Codex entry: A Compendium of Orlesian Theater


  • The sun is the symbol of the Orlesian Empire.[105]
  • The Imperial Highway enters Orlais from its northeast borders with Nevarra. One branch moves northwest until Andoral's Reach while the other moves through the Heartlands and Val Royeaux and then turns east towards the Frostback Mountains.
  • Orlais was given its name by one of the sons of Andraste and Maferath, after her betrayal and death.[106]
  • There is a thriving thieves' guild in Orlais. In the capital it appears to operate at least in part in the sewers, making use of the "sous de gens", the poorest of the poor who live there.[107][108] Elves may also join the local guild to make a living, willingly or unwillingly.[109]


  • It is a tradition for Orlesian children to line up and beg for "petit alms" from passing travelers.[110]
  • In the expansion pack Dragon Age: Origins - Awakening, if the player chooses not to import a previous Warden character, they have the option to play as a Grey Warden new to the series, an Orlesian Warden-Commander, starting at level 18.
  • Mary Kirby has stated that France was the starting point of inspiration for Orlais, but since then the developers were inspired by many things that are not French.[111]
  • Orlais was once called Arles. The name was changed because Arles is a real town in France.[112]
  • The prominent use of gold and white in Orlesian architecture is reminiscent of Vatican City.[113] This makes sense since Vatican City is the domain of the Pope, and the Divine, who is the Dragon Age-universe equivalent of the Pope, leads the Chantry from Val Royeaux in Orlais.



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  2. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, p. 51
  3. Dragon Age: Asunder, pp. 400-407
  4. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 45
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  8. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 47
  9. Codex entry: Not of Heroes: The Death of Diversity
  10. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 63
  11. 11.0 11.1 Codex entry: Jeshavis, Mother of Orlais
  12. Codex entry: Not of Heroes: United in Hatred
  13. 13.0 13.1 Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, p. 21
  14. Codex entry: The Founding of the Chantry
  15. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, pp. 53, 56
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  23. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 81
  24. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 83
  25. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 84
  26. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 85
  27. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 86
  28. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 94
  29. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 95
  30. Dragon Age: Origins: Prima Official Game Guide
  31. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 99
  32. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 104
  33. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 114
  34. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 120
  35. Codex entry: Aveline, Knight of Orlais
  36. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 119
  37. 37.0 37.1 Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 122
  38. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 123
  39. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 125
  40. Codex entry: The Perendale War
  41. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 127
  42. Dragon Age: The Stolen Throne, p. 446
  43. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 142
  44. As seen in Dragon Age: Asunder.
  45. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 156
  46. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 83
  47. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 157
  48. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, p. 203
  49. Dragon Age: The Masked Empire, p. 147
  50. Codex entry: Denerim
  51. Dragon Age: The Masked Empire, p. 193
  52. The Imperial Enchanter
  53. Dragon Age: The Stolen Throne, p. 223
  54. 54.0 54.1 54.2 Codex entry: Winter Palace
  55. Dragon Age: The Stolen Throne, p. 145
  56. Dragon Age: The Masked Empire, p. 375
  57. Save Val Colline from the Venatori
  58. The Left Hand of the Divine
  59. Dialogue between Josephine Montilyet and a Qunari Inquisitor about their mercenary past
  60. Curse of Morrac
  61. Codex entry: Bear (Inquisition)
  62. Protect Val Gamord from Darkspawn
  63. Judgment: Denam's Red Templar Patrols
  64. Announcment in the ballroom during Wicked Eyes and Wicked Hearts
  65. Dragon Age: Asunder, ch. 7
  66. Dragon Age: The Masked Empire, p. 313
  67. Codex entry: The Daughters of Song
  68. It is visited in Genevieve's Fade dream in Dragon Age: The Calling.
  69. Marquis of Alyons, Dragon Age: The Last Court
  70. They are visited in Nicolas' Fade dream in Dragon Age: The Calling.
  71. The Abbess' Road, Dragon Age: The Last Court
  72. Dragon Age: The Masked Empire
  73. A Plea for Sanctuary
  74. Truth or Dare: Lake Celestine
  75. Dance with the Dowager: The Allemande
  76. 76.0 76.1 76.2 Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 62
  77. Dragon Age: Asunder, pp. 31, 59
  78. Leliana mentions the toy dog "Bonbon" she grew up with in the household of Lady Cecilie.
  79. Dragon Age: The Masked Empire, p. 17
  80. Codex entry: Andraste in Nude Repose - Invisible.
  81. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, pp. 25, 229
  82. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, p. 164
  83. Codex entry: A Season of the Four Afoul
  84. Codex entry: A Compendium of Orlesian Theater
  85. 85.0 85.1 Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, p. 267
  86. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, p. 275
  87. Codex entry: A Compendium of Orlesian Theater
  88. The Art of Dragon Age Inquisition, pg 109–132
  89. Dragon Age: Asunder, p. 23
  90. 90.0 90.1 Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 60
  91. Dragon Age: Asunder, pp. 130–131, 137
  92. Dragon Age: Asunder, p. 350
  93. Dragon Age: Asunder, p. 279
  94. According to Liselle.
  95. Dragon Age: The Calling, p. 333
  96. According to conversation with Leliana.
  97. 97.0 97.1 97.2 97.3 97.4 Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 61
  98. The Art of Dragon Age Inquisition, pg 109 & 125
  99. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, pp. 281–295
  100. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 71
  101. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 2, pp. 281–294
  102. Codex entry: The Orlesian Empire
  103. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 7
  104. World of Thedas volume 2 page 288
  105. Codex entry: Thedas Calendar
  106. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 63
  107. Dragon Age: Asunder, pp. 350, 352
  108. Based on the Fingers of the Nimble description.
  109. Dragon Age: The Masked Empire, p. 43
  110. Dragon Age: Asunder, p. 115
  111. BSN.png Mary Kirby (February 13, 2014). "ATTN: Bioware Writers" . The BioWare Forum. Retrieved on February 26, 2014.
  112. David Gaider Twitter
  113. The Art of Dragon Age Inquisition, pg 109
  114. Dragon Age (tabletop RPG), Player's Guide, set 2, p. 32
  115. Dragon Age logo - new.png Dragon Age: The World of Thedas, vol. 1, p. 19