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An image in oil of the last pure Anderfel stabled at court, before the practice of mounted sport fell from favor. This is an absolutely iconic and typical example of the artist.

The work preserves the true majesty of a species that, while in abundance on their natural plains, becomes exotic to a people who eschew mounted travel in their daily existence. An ambitious work often referred to as Pride and Rider, it is part of a series of similarly-themed canvasses which, for reasons known only to the creator, were labeled And Went the Griffon.

—Auction notes for the works of Bujete Pochesvides, a catalogue of the foreign and lost dispensed by the holding house of Therein and Whatnot

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